Decoration as dissembling is a puritan notion, yet there is also a power in restraint, and apart from a few sparse brand graphics and a building print tee, this was indeed a collection uncluttered by surface chatter. This left you free to consider the Fast scrap toy Police shirt Additionally,I will love this handsome aspect of Taverniti’s roomy raw-denim work jackets and jeans, and cotton drill pants cut extra-high at the waist. He went high, but he also went low, with what looked like treated silky nylon patched square-cut drop-crotch pants in white. Double-lapel-detail deconstructed suits in washed denim or a silky black viscose were pretty cool too. Taverniti is trying to extend himself beyond the streetwear milieu with which he is associated by divesting his clothes of any contemporary decorative clutter: The silhouettes left standing looked good. What lurks in the dark? What sinister instincts lie dormant, waiting to arise? Where does the capacity for masculine moral villainy begin? If you are a man, you know. I loved this on-the-face-of-it dull Undercover offering because it asked questions of the masculine state we now jazz-hand away with fake rhetoric. It was a collection that interrogated a man’s private knowledge of his worst but most vital instincts his knowledge of himself expressed while dressed as a devil, beautifully. More significant than the Nosferatu silhouettes at the front, or the plentiful Cindy Sherman reproductions at the back, where the spider’s web pleating in the middle of this collection. Trapped by our own urges, it reflected the Dylan Thomas quote on the invitation: “I hold a beast, an angel, and a madman in me.” To his credit, designer Jun Takahashi said post-show that these violent urges were something he recognized in himself. His rejection of the easy tropes of streetwear for the polished affectation of sartorialism spoke volumes. The clothes were just souvenirs, really, but important ones. Relics of age of masculine devilment that should no longer hold terror or sway. Move on, move up. He also realized that “not spending” would keep from occurring, all of that economic activity that would otherwise result from spending. “Not spending” would prevent from being promoted all of that economic activity that would be creating new wealth and preserving already existing wealth. Keynes realized that not only would “not spending” prevent the production of new wealth, but would also lead to the decay and loss of much our economic infrastructure, further reducing overall wealth.
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It feels really personal to me,” said Robert Cavalli of his Florentine dandy-meets–British punk Spring collection. Indeed. What’s more personal than staging a presentation at your mother’s home? If the Fast scrap toy Police shirt Additionally,I will love this mother in question is Eva Cavalli, then expect the home to be lavish. Her Florentine apartment, ensconced in a noble palazzo in the heart of the old city, boasts a magnificent secret garden, lush with century-old trees overlooking an ancient monastery and a church. Models and guests were lounging on the lawns, seemingly without a care in the world. At his label Triple RRR, the young designer is honing a languid aesthetic infused with an underground vibe. He has a penchant for a decadent Renaissance mood and favors opulence of fabrications and flamboyant yet elegant silhouettes, which he undercuts with irreverence and a flair for subversion. His signature robes de chambre in silk satin were worn over denim and with combat boots, and strict British-inspired tailoring was smoothed with almost feminine accents, as in ribbon belts cinching the waists of elongated blazers. Slender suits were given a sensuous finish via sumptuous mauve silk moiré, while a Prince of Wales jacquard suit was printed with red tigers and esoteric symbols. A little homage to Vivienne Westwood never hurts. It’s well known that the Cavalli family is fond of keeping a menagerie of exotic animals as domestic pets (think snakes, monkeys, iguanas); the young Robert doesn’t stray from tradition. He drew inspiration from his 25-year-old parakeet, Tommaso, the presentation’s guest of honor, whose colorful plumage was reproduced as a painterly print on a denim jacket and matching pants, or on a liquid silk robe coat, worn with a pale blue metallic leather biker. But beyond his family legacy, Cavalli is carving a place for himself in the fashion arena. If he keeps true to his quite personal mix of romantic, sensual rebelliousness, it’ll be interesting to follow his label’s future steps. So this shows Keynes’ awareness that in reality spending does not represent the depletion of wealth. He realized that the solution for production shortages in a situation where we have un- or underutilized resources, (including un- or underemployed people), is to increase spending, not to decrease spending. He realized that the increased spending will, for the most, part lead to increased employment of resources and increased net production of wealth. He showed that in such a situation, due to the effect of producing new wealth and preserving current wealth, increased spending can cause increased total wealth, and a higher standard of living, and improved quality of life.